KEEP YOUR HANDS OFF EIZOUKEN ANIME FULL
An inherent part of that does involve expressing criticism, and, from time to time, I have been rather harsh.Īdmittedly, I sometimes feel conflicted because I know I cannot even begin to understand the full scope of what it means to animate. Accordingly, I have the (comparatively) easy task of viewing what other people have done and writing my thoughts on what I see. This post is a review, and I do consider myself to be a reviewer. I don’t say this nearly enough, but we must recognize the sheer amount of work that goes into any animation, let alone a full-length anime series.
KEEP YOUR HANDS OFF EIZOUKEN ANIME SERIES
This series was also a gentle little reminder for me to keep things in perspective. No, this show took us through the complexities and rigorous displace that goes into producing even an amateur project. It went much further than thinking up story ideas and being able to draw well. Keep Your Hands Off Eizouken was about passionate people doing what they loved most, and in this case, that love was for creating animation. I know I said Somali and the Forest Spiritwas the standard-bearer for 2020 no less than a post ago, but believe me, I was not expecting this or, at the very least, not this soon. Keep Your Hands Off Eizouken was absolutely, unquestionably, incredibly phenomenal. When together, these three become an unstoppable force of animation brilliance, and their passion is only fueled when they form their school’s newest club, the Eizouken.Ĭontinually searching for ways to improve their craft, Midori, Sayaka, and Tsubame are ready to show the world what they can create. Therefore, Midori has always needed a boost in confidence from her friends Sayaka Kanamori and Tsubame Mizusaki (voiced respectively by Mutsumi Tamura and Misato Matsuoka). If there is one thing Midori wants to do, it’s to be a filmmaker. She is a student of how visual storytellers convey meaning through camera shots, movement, designs, setting, and music. Her admiration for the medium goes well beyond an appreciation of artwork. Reader discretion is advised.***įrom as far back as she can remember, Midori Asakusa (voiced by Sairi Itou) has loved animation. ***Warning, the following may contain spoilers for Keep Your Hands Off Eizouken. Right now there’s only five chapters of the manga ( unofficially) translated into English, but I still needed a few hours to read them because there’s so much going on, be it Midori’s imagination crafting a spaceship out of nowhere or Sayaka’s determination to keep the other two grounded, there’s an enjoyable push and pull between the girls’ dreams and the harsh reality of making anime.Genre: Comedy, Slice of Life Based on the Series Created By: Sumito Oowara Every page is packed with little touches. He isn’t concerned with drawing beautiful, delicate girls, rather, he’s emphasizing their frantic energy, burgeoning talent and playful sense of humour. Sumito Ōwara’s art has a lively and loose feel (one may even say, easy breezy!). Ōwara isn’t just helping to oversee the anime adaption of his manga either, he’s credited with the ending’s key animation! This whole project must’ve been like a dream come true for him, not least of all because, if his writing is anything to go by, Ōwara loves anime and has always wanted to be an animator. To put this into perspective, Ōwara would’ve been just 17 years old when ( Keep Your Hands Off Eizouken! anime director) Masaaki Yuasa was directing The Tatami Galaxy, and yet, just 10 years later, he’s now working with Yuasa.
Keep Your Hands Off Eizouken! mangaka is Sumito Ōwara, who, at the time of writing, seems quite young for a mangaka at just 26 years old.
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